Showing posts with label Bleu. Show all posts
Showing posts with label Bleu. Show all posts

Friday, June 19, 2009

Out Of The Bleu...


With all of the music I'm exposed to and the breadth of it, it's no real surprise that I sometimes come late to the party. It happened with Bleu, an extraordinarily talented singer/songwriter that has a new album coming out on July 14th (that's 2009). Bleu was one of those under the radar performers that kept showing up in and on other records that I'd been listening to. We all know what an admirer of Mike Viola's I am and the first time I remember hearing of Bleu was when Mike mentioned he was doing some work on a project called L.E.O. and then another side project called The Major Labels. I quickly investigated the L.E.O. project (The Major Labels was a bit further into the future) and was delighted that the project, entitled "Alpacas Orgling", was a nod to the work of Jeff Lynne. That is, none of the material involved cover songs, but the entire project was Jeff Lynne/ELO flavored. The album was great (especially for a rabid Jeff Lynne fan like myself) and I was further amused to find Bleu had stuck in a little drawing into the disc packaging.

Of course, we all know what I think of the Major Labels (and I'm electrified that Mike had just announced the followup ML album, tentatively titled, "TML4EVA"!) and I've been consistently surprised finding Bleu turning up on records that I'd already loved, like Hanson's "The Walk" and Puffy's "Splurge" album. So, it was a nice surprise when Bleu's people invited me to have a listen to the album and tell y'all about it.

The new disc is entitled "A Watched Pot" and I think it may be a nod to the fact that it was recorded 4 years ago under the auspices of Sony Records, who promptly shelved the record. It's taken until late last year for Bleu to get the rights back to the album and it's release is now being handled by Fontana Distribution.

Upon first listen, I admit I wasn't quite prepared. Having listened to L.E.O. and The Major Labels (and not having heard his previous two solo ventures) I thought I'd be plowing headlong into a power pop explosion. Instead, I was treated to an eclectic mix of sounds both contemporary and classic. The album lies astride the pop music pantheon from the Countryish Pop of the lead off track Save Me, What Now? and the lyrically rich Boy Meets Girl (featured on the latest "Shockedelic Radio Show"!), through the modern light rock of "Come 'N Go" and into the proper Soul sounds of I Won't Fuck You Over (This Time) and What Kind Of Man Am I?.

There's a fully blown eruption of Jeff Lynne-ism on There's No Such Thing As Love and, in a righteous world, the Explosive Motown blast of Kiss Me would be blaring from every transistor radio in the world. It's pure AM gold. The track Go felt awfully familiar and it took me a while to figure out I'd heard it before on Hanson's "The Walk" album. Another highlight of the album is a wonderful duet with Sandra McCracken on When The Lights Go Out that climaxes with a counterpoint vocal that hides forever in the crevices of the mind.

While the songs are uniformly good and authentic to the styles they belong to, it's the vocals that make "A Watched Pot" an exceptional album. I had noticed this before on the other projects of Bleu, but this album confirms it. Kids, Bleu is an honest-to-goodness song stylist. His voice adapts and adheres to the style of whichever song he's performing and at times it's no less than astonishing. His Jeff Lynne vocal on There's No Such Thing As Love is so authentic that, even to a dyed in the wool ELO fan like myself, it's chilling.

Understand, though, that "A Watched Pot" is essentially a lover's lament album. It's a bit downbeat, but it's an honest album and I can't fault that.

You can preorder the CD HERE from Newbury Comics and get an autographed CD Booklet to boot. I do recommend this album. It's been a long time in the coming and this "Pot" finally going to boil over (you know I couldn't resist).

You can also get the album at AMAZON, iTunes (when released) or Bleu's very own Paypal Page. Consider the ad to the left just that, an ad. You can't buy the album there.

Listen and investigate further on all things Bleu on the official MySpace Page!

One last thing. There was an extra track that I heard at the end of "A Watched Pot" that isn't listed on the track listing. It's called "The Penguin Song" and it's a beautiful homage to Harry Nilsson, right down to the opening riff that resembles Turn On Your Radio from the "Son Of Schmilsson" album. Don't know if it will be on the album proper, but it was a great tune. I got misty eyed. Harry would have loved it.

Saturday, July 12, 2008

The Major Labels' Major Debut Album


You may have noticed on the left hand side of this blog, there is a widget dedicated to a group called "The Major Labels" and their new album, Aquavia. I urge everyone reading this to stop and click on the widget. This is a brand new album by Expert Popsmiths Bleu, Mike Viola and Ducky Carlisle and it is exquisite. I've personally had it on a loop for 2 weeks straight. It's a very addictive confection. You can listen to some samples of the album, but I recommend you dive in head first and immerse yourself into the album, start to finish. Although I loathe the term normally, the album is Beatlesque. The album is also T-Rexy, Bowie-y, Lennon and Mccartney solo-y and, to my uncannily trained ears, Hudson Brothers-y.


The opening and closing songs ("The Major Labels Got It Made" and "TML4EVA") bookend the inner content with the first proper song within those bumpers being, "Don't Hear A Single"; a paean to the great pop records of the past. If you're past 35, you'll be able to fully appreciate the sentiment here. There is some incredible Lennon/McCartney-ism going on with 2 seemingly different songs welded together to form a whole.


The next song is simply the best 3 and a half minutes spent in 2008. "Velveteen Queen" can be called a number of things: Baroque, Glam, Psychedelic... they may all fit, but labels aside, it's simply pop brilliance. The guitars, vocals, lyrics all come together with the nudge of a higher power's hand.


"The Bitter Pill" shares a kinship with "Don't Hear A Single" in it's record store delving theme.


"Richard Randolph" is a curious song. It's about a harmless middle aged man child who wants nothing more than to play with the local children. The parents, however, won't stand for it. The vaudeville type melody belies a darker lyric about automatically deeming anyone with a love for children and remaining a child himself (the Peter Pan Syndrome) a pervert. A worthwhile, challenging song.


"Hummingbird" is Bleu's beautiful second cousin to McCartney's "Blackbird". Simple and lovely.


This is where side two on a vinyl record would be (and one is forthcoming, I've been assured!) and it is an Abbey Road type suite of sweeping themes and melodies. It kicks of with the assaulting driving rock of "Jimmy Kenney" and lands on the doorstep of "The Sweet", a fascinating pop piece with movements and themes that would've made Brian Wilson proud.


Then there's "An Ode To Something To Cry About"... This is an oddball one joke one off. Possibly the weakest cut on the album, but it's a funny joke piece that reminds me of Nilsson's "Ivy Covered Walls" off of his Sandman Album.


"Deja Vu (All Over Again)" is a short and sweet Merseybeat like tune that comes complete with Ringo Drums and 12 string Rick melody lines. It's just an appetizer for the album's namesake.


"Aquavia" is a devastating and haunting song that wouldn't be out of place on an early 70's Elton John album. The melody and chorus will stay with you for days.


After the "TML4EVA" closer, the cheeky bums had the nerve to round out the album with 6 minutes of noise.


Seriously, this is one wonderful album and one of the best albums I've heard all year. Download it for free, or better yet, throw 6 or 7 dollars their way. They more than deserve it.


The Major Labels home base are on MySpace: http://www.myspace.com/themajorlabels